The Landis Performing Arts Center on the Riverside City College campus was bathed in the glitz and glamour of the Jazz Age, thanks to the recent production of "The Drowsy Chaperone." This musical comedy, skillfully presented under the direction of a talented cast and crew, transformed the stage into a world of showbiz magic, leaving the audience enchanted and entertained.
In the central role of Man in Chair, Charles Martinez was nothing short of masterful. His portrayal as the musical aficionado and narrator brought a unique charm and wit to the production. Martinez seamlessly guided the audience through the show-within-a-show, providing comedic commentary and endearing vulnerability. His ability to connect with the audience made him the perfect guide to the fantastical world of "The Drowsy Chaperone."
Jeamil Haboud, taking on the role of Robert Martin, exuded charismatic charm and energy. His performance was a delightful mix of comedic timing and heartfelt sincerity, capturing the essence of the classic leading man. Haboud's tap-dancing prowess and infectious enthusiasm lit up the stage, making him a standout presence in the ensemble.
Austin Arnwine, in the role of Aldolpho, stole scenes with his side-splitting comedic flair. Arnwine's portrayal of the self-proclaimed ladies' man was a riot, filled with physical comedy and perfectly timed punchlines. His over-the-top antics and exaggerated charm added an extra layer of hilarity to the production, earning him well-deserved laughter and applause.
Elle Rutledge, embodying the role of Janet Van De Graaff, showcased her vocal prowess and stage presence with mesmerizing grace. Rutledge effortlessly transitioned between moments of glamour and vulnerability, delivering show-stopping musical numbers that left the audience in awe. Her portrayal of the conflicted showgirl was a captivating centerpiece of the production.